I joined the Department of Humanities in 2011. My published work spans modern political and critical social theory, esp. Frankfurt School; utopianism; history and theory of discursive and filmic genres; history of literary criticism; cultural memory and affect; visual art. Other interests: ignorance studies/agnotology, surrealism.
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My current research concerns the history of modern critical thought from the end of the eighteenth to the end of the twentieth century in relation to political economy and emerging conceptions of value. My focus in this history is on social critique’s affective dimension, the structures of feeling intertwined with the development of critical concepts and values, and their expression in the critico-nostalgic and critico-utopian currents of German and French thought.
I teach courses in utopian thought and literature at both the undergraduate and graduate levels; in modernity's cultural moods of melancholy and nostalgia and their oft-intersecting histories; in the literature of transgression from the Middle Ages to the present; and in epistemologies of ignorance from Greek Antiquity to today.
Degrees
PhD, University of Toronto
Appointments
Faculty of Graduate Studies
Research Interests
(1) History and genres of discourse (philosophical and socio-theoretical critique, literary criticism, utopianism, historiography), (2) Modes of experience (radical-political action, creativity, mortality, masochism, the affective-reflective states of nostalgia and melancholy), (3) Misc. topics in the philosophy of history and aesthetics.
Feux croisés: Propos pour l'histoire de la survie. Preface by Alexander Kluge. Trans. Joël Gayraud. Paris: Klincksieck, 2018. Critique de la Politique.
“Kluge, iconoclaste.” In Wolfgang Asholt, Jean-Pierre Morel, and Vincent Pauval, eds., Alexander Kluge: Cartographie d’une œuvre plurielle. Colloque Cerisy, 2019. Paris: Éditions Hermann, 2022. 61-68.
2021
“Destination: Origin—or, Utopia and Political Theology in Oldest Systematic Program of German Idealism.” In Kirill Chepurin and Alex Dubilet, eds., Nothing Absolute: German Idealism and the Question of Political Theology. New York, NY: Fordham University Press, 2021.
2021
“Adorno’s Senses of Critique: Gesture, Suffering, Utopia.” In Re-reading Adorno for the 21st Century. London: Bloomsbury, 2021, forthcoming.
2021
“Coda: Utopia, Alibi.” In Political Uses of Utopia. Ed. S.D. Chrostowska and James D. Ingram. New York, NY: Columbia University Press, 2018.
2016
"A Passing Glance: Encounters with Deadness and Dying." Beauty and the Abject: Interdisciplinary Perspectives. Eds. L. Boldt-Irons, C. Federici, and E. Virgulti. New York: Peter Lang, 2007. 59-84.
2007
Journal Articles
Publication
Year
“Progressivement plus petit: D’une forme utopique de l’écriture.” Trans. Joël Gayraud. Po&sie 183-184 (2023): 153-169.
2023
Chrostowska, Sylwia. “Adorno sur le seuil.” Des pays habitables: Naiveté—Utopie—Exuberance 6 (2022): 71-75.
2022
"Progress: From Literature to History." Common Knowledge 27.2.
2021
“Is There a Place for Utopia?” The Hedgehog Review 23.2 (2021): 75-83.
"Thought Woken by Memory: Adorno's Circuitous Path to Utopia." New German Critique 118 (Winter 2013): 93-117.
2013
“A Collision of Gargoyles.”Evental Aesthetics 2.1 (2013): 10-20, special issue on pre-modern aesthetic practices.
2013
"Angelus Novus, Angst of History." diacritics 40.1 (2010): 42-68.
2012
"'Words tickle me, thoughts caress me': Gombrowicz on the Point of Interpretation." Orbis Litterarum 66.2 (2011): 121-147.
2011
"Consumed by Nostalgia?" Sub-stance 39.2 (2010): 52-70.
2010
"Notes for a History of the Political (Capital Events and Bodies Politic in the French Revolution)." Telos 147 (2009): 99-119. Special issue on Carl Schmitt and the event.
2009
"Vis-à-vis the Glaneuse." Angelaki 12.2 (2007): 119-133.
2007
"'A Case, an Affair, an Event' (The Dossier by Michel Foucault)." Clio: A Journal of Literature, History and the Philosophy of History 35.3 (2006): 329-349.
2006
"Polish Literary Criticism Circa 1772: A Genre Perspective." Toronto Slavic Quarterly 14 (2005).
2005
"Above Suspicion." Alphabet City 10: Suspect. Cambridge, MA/Toronto: MIT Press and Alphabet City Media, 2005. 240-244.
2005
"Stanislaw Brzozowski, Philosopher of History, Myth, and Will." New Literary History 36.4 (2005): 521-542.
2005
"'Masochistic Art of Fantasy': The Literary Works of Bruno Schulz in the Context of Modern Masochism." Russian Literature 55 (2004): 469-501.
2004
Creative Works
Publication
Year
“Les Gémeaux.” Alcheringa 1 (2019): 37.
2019
“Red Is the Color of Attention.” Seattle: Sublunary Editions, 2019.
Seven and a Half Studies: "The Good, the Bad, and the Beyond"; "Notes of a Writer-Suicide"; "Homodomus"; "Midwife"; "Of Parables"; "No Outstanding Work"; "Called Literature"; "The Post-Book." Review of Contemporary Fiction 33.3 (2013). "Autofictions" issue.
“Cave Hominem”; “The Great Indoors”; “Loose Pages from a Diary: on dog days in W., house”; “Funeral”; “Deluge.” The Review of Contemporary Fiction 33.1 (2013): 22-35.
"Where Things Go to Die." New Writing: The International Journal for the Practice and Theory of Creative Writing 6.1 (2009): 35-39.
2009
“Parable of the Cave, Redux”; “Sadness—après Van Gogh”; “Of an American Indian Prophet”; “Message to a Prophet, General Delivery”; “About My Library.” Exile: The Literary Quarterly 32.3 (2008): 74-79.
2008
“Glass”; “Sonatina for Piano.”Janus Head: Journal of Interdisciplinary Studies in Literature, Continental Philosophy, Phenomenological Psychology, and the Arts 10.2 (2008): 625-626.
2008
Forthcoming
Publication
Year
A Cage for Every Child: Stories. Forthcoming from Sublunary Editions, Spring 2021.
2021
Other
Publication
Year
“‘Alors il s’est tourné vers moi.’ Entretien avec Alexander Kluge sur Theodor W. Adorno.” Interview by S.D. Chrostowska. Forthcoming in Critique.
2019
I joined the Department of Humanities in 2011. My published work spans modern political and critical social theory, esp. Frankfurt School; utopianism; history and theory of discursive and filmic genres; history of literary criticism; cultural memory and affect; visual art. Other interests: ignorance studies/agnotology, surrealism.
My current research concerns the history of modern critical thought from the end of the eighteenth to the end of the twentieth century in relation to political economy and emerging conceptions of value. My focus in this history is on social critique’s affective dimension, the structures of feeling intertwined with the development of critical concepts and values, and their expression in the critico-nostalgic and critico-utopian currents of German and French thought.
I teach courses in utopian thought and literature at both the undergraduate and graduate levels; in modernity's cultural moods of melancholy and nostalgia and their oft-intersecting histories; in the literature of transgression from the Middle Ages to the present; and in epistemologies of ignorance from Greek Antiquity to today.
Degrees
PhD, University of Toronto
Appointments
Faculty of Graduate Studies
Research Interests
(1) History and genres of discourse (philosophical and socio-theoretical critique, literary criticism, utopianism, historiography), (2) Modes of experience (radical-political action, creativity, mortality, masochism, the affective-reflective states of nostalgia and melancholy), (3) Misc. topics in the philosophy of history and aesthetics.
All Publications
Book Chapters
Publication
Year
“Kluge, iconoclaste.” In Wolfgang Asholt, Jean-Pierre Morel, and Vincent Pauval, eds., Alexander Kluge: Cartographie d’une œuvre plurielle. Colloque Cerisy, 2019. Paris: Éditions Hermann, 2022. 61-68.
2021
“Destination: Origin—or, Utopia and Political Theology in Oldest Systematic Program of German Idealism.” In Kirill Chepurin and Alex Dubilet, eds., Nothing Absolute: German Idealism and the Question of Political Theology. New York, NY: Fordham University Press, 2021.
2021
“Adorno’s Senses of Critique: Gesture, Suffering, Utopia.” In Re-reading Adorno for the 21st Century. London: Bloomsbury, 2021, forthcoming.
2021
“Coda: Utopia, Alibi.” In Political Uses of Utopia. Ed. S.D. Chrostowska and James D. Ingram. New York, NY: Columbia University Press, 2018.
2016
"A Passing Glance: Encounters with Deadness and Dying." Beauty and the Abject: Interdisciplinary Perspectives. Eds. L. Boldt-Irons, C. Federici, and E. Virgulti. New York: Peter Lang, 2007. 59-84.
Feux croisés: Propos pour l'histoire de la survie. Preface by Alexander Kluge. Trans. Joël Gayraud. Paris: Klincksieck, 2018. Critique de la Politique.
"Thought Woken by Memory: Adorno's Circuitous Path to Utopia." New German Critique 118 (Winter 2013): 93-117.
2013
“A Collision of Gargoyles.”Evental Aesthetics 2.1 (2013): 10-20, special issue on pre-modern aesthetic practices.
2013
"Angelus Novus, Angst of History." diacritics 40.1 (2010): 42-68.
2012
"'Words tickle me, thoughts caress me': Gombrowicz on the Point of Interpretation." Orbis Litterarum 66.2 (2011): 121-147.
2011
"Consumed by Nostalgia?" Sub-stance 39.2 (2010): 52-70.
2010
"Notes for a History of the Political (Capital Events and Bodies Politic in the French Revolution)." Telos 147 (2009): 99-119. Special issue on Carl Schmitt and the event.
2009
"Vis-à-vis the Glaneuse." Angelaki 12.2 (2007): 119-133.
2007
"'A Case, an Affair, an Event' (The Dossier by Michel Foucault)." Clio: A Journal of Literature, History and the Philosophy of History 35.3 (2006): 329-349.
2006
"Polish Literary Criticism Circa 1772: A Genre Perspective." Toronto Slavic Quarterly 14 (2005).
2005
"Above Suspicion." Alphabet City 10: Suspect. Cambridge, MA/Toronto: MIT Press and Alphabet City Media, 2005. 240-244.
2005
"Stanislaw Brzozowski, Philosopher of History, Myth, and Will." New Literary History 36.4 (2005): 521-542.
2005
"'Masochistic Art of Fantasy': The Literary Works of Bruno Schulz in the Context of Modern Masochism." Russian Literature 55 (2004): 469-501.
2004
Creative Works
Publication
Year
“Les Gémeaux.” Alcheringa 1 (2019): 37.
2019
“Red Is the Color of Attention.” Seattle: Sublunary Editions, 2019.
Seven and a Half Studies: "The Good, the Bad, and the Beyond"; "Notes of a Writer-Suicide"; "Homodomus"; "Midwife"; "Of Parables"; "No Outstanding Work"; "Called Literature"; "The Post-Book." Review of Contemporary Fiction 33.3 (2013). "Autofictions" issue.
“Cave Hominem”; “The Great Indoors”; “Loose Pages from a Diary: on dog days in W., house”; “Funeral”; “Deluge.” The Review of Contemporary Fiction 33.1 (2013): 22-35.
"Where Things Go to Die." New Writing: The International Journal for the Practice and Theory of Creative Writing 6.1 (2009): 35-39.
2009
“Parable of the Cave, Redux”; “Sadness—après Van Gogh”; “Of an American Indian Prophet”; “Message to a Prophet, General Delivery”; “About My Library.” Exile: The Literary Quarterly 32.3 (2008): 74-79.
2008
“Glass”; “Sonatina for Piano.”Janus Head: Journal of Interdisciplinary Studies in Literature, Continental Philosophy, Phenomenological Psychology, and the Arts 10.2 (2008): 625-626.
2008
Forthcoming
Publication
Year
A Cage for Every Child: Stories. Forthcoming from Sublunary Editions, Spring 2021.
2021
Other
Publication
Year
“‘Alors il s’est tourné vers moi.’ Entretien avec Alexander Kluge sur Theodor W. Adorno.” Interview by S.D. Chrostowska. Forthcoming in Critique.