An Associate Professor in the Teaching Stream, Natalie Neill (Ph.D., English, York; M.A., Film Studies, Carleton) specializes in undergraduate teaching and learning (especially the first-year experience) and nineteenth-century literature (especially British Romantic). Her research interests include the Gothic, satire and parody, women's authorship in the Romantic Period, and transmedia adaptation. She has published articles and book chapters on Gothic parodies, adaptations of Romantic and Victorian novels, and nineteenth-century horror novels, among other topics. She has also edited two Romantic-period comic Gothic novels—The Hero and Love and Horror—for Valancourt Books. Her most recent projects include a collection on Gothic Mash-Ups (Lexington Books) and an edition of Mary Charlton's Rosella, or Modern Occurrences (1799) (Routledge).
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Degrees
Ph.D., York University
M.A., Carleton University
B.A., Carleton University
Research Interests
English, Film, Nineteenth-century literature, the Gothic, Satire and parody,
Adaptation
Rosella, or Modern Occurrences, by Mary Charlton. 1799. Edited by Natalie Neill. Routledge, 2023. Introduction, xi–xxvii.
2023
Gothic Mash-Ups: Hybridity, Appropriation, and Intertextuality in Gothic Storytelling. Edited by Natalie Neill. Lexington Books, 2022. Introduction, ix-xviii.
2022
The Hero; or, The Adventures of a Night, by Bellin de la Liborlière. Edited by Natalie Neill. Translated by Sophia Shedden. 1817. Valancourt Books, 2011. Introduction, vii-xxviii.
2011
Love and Horror, by Ircastrensis. Edited by Natalie Neill. 1812. Valancourt Books, 2008. Introduction, vii-xxi.
2008
Book Chapters
Publication
Year
“Gothic Parody and Anti-feminist Satire.” Edinburgh Companion to Comic Gothic, edited by Avril Horner and Sue Zlosnik, 2024, pp. 49-63.
2024
“Teaching the Iñupiaq Video Game Never Alone and/as Literature.” Teaching Games and Games Studies in the Literature Classroom, edited by Lynn Ramey and Tison Pugh, Bloomsbury, 2022.
2022
“Tales of Other Times: The Gothic Novel as Historical Fiction.” Critical Insights: Historical Fiction, edited by Virginia Brackett, Salem Press, 2018, pp. 77-91.
2018
“‘we stare and tremble’: Eighteenth- and Nineteenth-Century Horror Novels.” The Palgrave Handbook to Horror Literature, edited by Kevin Corstorphine and Laura R. Kremmel, Palgrave, 2018, pp. 165-79.
2018
“‘It’s Alive’: Commodification of Frankenstein’s Monster.” Critical Insights: Mary Shelley, edited by Virginia Brackett, Salem Press, 2016, pp. 208-28.
2016
“Gothic Parody.” Romantic Gothic: An Edinburgh Companion, edited by Angela Wright and Dale Townshend, Edinburgh UP, 2015, pp. 185-204.
2015
“Adapting Dickens’s A Christmas Carol in Prose.” Victorian Literature and Film Adaptation, edited by Abigail Burnham Bloom and Mary Sanders Pollock, Cambria Press, 2012, pp. 71-88.
2012
Journal Articles
Publication
Year
“The Stepford Frankensteins: Feminism, Frankenstein, and The Stepford Wives.” The Journal of American Culture, vol. 41, issue 3, 2018, pp. 257-66.
2018
“‘The trash with which the press now groans’: Northanger Abbey and the Gothic Best Sellers of the 1790s.” The Eighteenth-Century Novel: A Scholarly Annual, vol. 4, 2005, pp. 163-92.
2005
An Associate Professor in the Teaching Stream, Natalie Neill (Ph.D., English, York; M.A., Film Studies, Carleton) specializes in undergraduate teaching and learning (especially the first-year experience) and nineteenth-century literature (especially British Romantic). Her research interests include the Gothic, satire and parody, women's authorship in the Romantic Period, and transmedia adaptation. She has published articles and book chapters on Gothic parodies, adaptations of Romantic and Victorian novels, and nineteenth-century horror novels, among other topics. She has also edited two Romantic-period comic Gothic novels—The Hero and Love and Horror—for Valancourt Books. Her most recent projects include a collection on Gothic Mash-Ups (Lexington Books) and an edition of Mary Charlton's Rosella, or Modern Occurrences (1799) (Routledge).
Degrees
Ph.D., York University
M.A., Carleton University
B.A., Carleton University
Research Interests
English, Film, Nineteenth-century literature, the Gothic, Satire and parody,
Adaptation
All Publications
Book Chapters
Publication
Year
“Gothic Parody and Anti-feminist Satire.” Edinburgh Companion to Comic Gothic, edited by Avril Horner and Sue Zlosnik, 2024, pp. 49-63.
2024
“Teaching the Iñupiaq Video Game Never Alone and/as Literature.” Teaching Games and Games Studies in the Literature Classroom, edited by Lynn Ramey and Tison Pugh, Bloomsbury, 2022.
2022
“Tales of Other Times: The Gothic Novel as Historical Fiction.” Critical Insights: Historical Fiction, edited by Virginia Brackett, Salem Press, 2018, pp. 77-91.
2018
“‘we stare and tremble’: Eighteenth- and Nineteenth-Century Horror Novels.” The Palgrave Handbook to Horror Literature, edited by Kevin Corstorphine and Laura R. Kremmel, Palgrave, 2018, pp. 165-79.
2018
“‘It’s Alive’: Commodification of Frankenstein’s Monster.” Critical Insights: Mary Shelley, edited by Virginia Brackett, Salem Press, 2016, pp. 208-28.
2016
“Gothic Parody.” Romantic Gothic: An Edinburgh Companion, edited by Angela Wright and Dale Townshend, Edinburgh UP, 2015, pp. 185-204.
2015
“Adapting Dickens’s A Christmas Carol in Prose.” Victorian Literature and Film Adaptation, edited by Abigail Burnham Bloom and Mary Sanders Pollock, Cambria Press, 2012, pp. 71-88.
2012
Books
Publication
Year
Rosella, or Modern Occurrences, by Mary Charlton. 1799. Edited by Natalie Neill. Routledge, 2023. Introduction, xi–xxvii.
2023
Gothic Mash-Ups: Hybridity, Appropriation, and Intertextuality in Gothic Storytelling. Edited by Natalie Neill. Lexington Books, 2022. Introduction, ix-xviii.
2022
The Hero; or, The Adventures of a Night, by Bellin de la Liborlière. Edited by Natalie Neill. Translated by Sophia Shedden. 1817. Valancourt Books, 2011. Introduction, vii-xxviii.
2011
Love and Horror, by Ircastrensis. Edited by Natalie Neill. 1812. Valancourt Books, 2008. Introduction, vii-xxi.
2008
Journal Articles
Publication
Year
“The Stepford Frankensteins: Feminism, Frankenstein, and The Stepford Wives.” The Journal of American Culture, vol. 41, issue 3, 2018, pp. 257-66.
2018
“‘The trash with which the press now groans’: Northanger Abbey and the Gothic Best Sellers of the 1790s.” The Eighteenth-Century Novel: A Scholarly Annual, vol. 4, 2005, pp. 163-92.
