Natalie Neill
Associate Professor
Teaching Stream
Office: Atkinson Building, 724
Phone: 416-736-2100 Ext: 20541
Email: nneill@yorku.ca
Media Requests Welcome
An Associate Professor in the Teaching Stream, Natalie Neill (Ph.D., English, York; M.A., Film Studies, Carleton) specializes in undergraduate teaching and learning (especially the first-year experience) and nineteenth-century literature (especially British Romantic). Her research interests include the Gothic, satire and parody, women's authorship in the Romantic Period, and transmedia adaptation. She has published articles and book chapters on Gothic parodies, adaptations of Romantic and Victorian novels, and nineteenth-century horror novels, among other topics. She has also edited two Romantic-period comic Gothic novels—The Hero and Love and Horror—for Valancourt Books. Her most recent projects include a collection on Gothic Mash-Ups (Lexington Books) and an edition of Mary Charlton's Rosella, or Modern Occurrences (1799) (Routledge).
Degrees
Ph.D., York UniversityM.A., Carleton University
B.A., Carleton University
Research Interests
Rosella, or Modern Occurrences, by Mary Charlton. 1799. Edited by Natalie Neill. Routledge, 2023. Introduction, xi–xxvii.
Gothic Mash-Ups: Hybridity, Appropriation, and Intertextuality in Gothic Storytelling. Edited by Natalie Neill. Lexington Books, 2022. Introduction, ix-xviii.
“Gothic Parody and Anti-feminist Satire.” Edinburgh Companion to Comic Gothic, edited by Avril Horner and Sue Zlosnik, 2024, pp. 49-63.
“Teaching the Iñupiaq Video Game Never Alone and/as Literature.” Teaching Games and Games Studies in the Literature Classroom, edited by Lynn Ramey and Tison Pugh, Bloomsbury, 2022.
“Tales of Other Times: The Gothic Novel as Historical Fiction.” Critical Insights: Historical Fiction, edited by Virginia Brackett, Salem Press, 2018, pp. 77-91.
“‘we stare and tremble’: Eighteenth- and Nineteenth-Century Horror Novels.” The Palgrave Handbook to Horror Literature, edited by Kevin Corstorphine and Laura R. Kremmel, Palgrave, 2018, pp. 165-79.
“‘It’s Alive’: Commodification of Frankenstein’s Monster.” Critical Insights: Mary Shelley, edited by Virginia Brackett, Salem Press, 2016, pp. 208-28.
“The Stepford Frankensteins: Feminism, Frankenstein, and The Stepford Wives.” The Journal of American Culture, vol. 41, issue 3, 2018, pp. 257-66.
“‘The trash with which the press now groans’: Northanger Abbey and the Gothic Best Sellers of the 1790s.” The Eighteenth-Century Novel: A Scholarly Annual, vol. 4, 2005, pp. 163-92.
An Associate Professor in the Teaching Stream, Natalie Neill (Ph.D., English, York; M.A., Film Studies, Carleton) specializes in undergraduate teaching and learning (especially the first-year experience) and nineteenth-century literature (especially British Romantic). Her research interests include the Gothic, satire and parody, women's authorship in the Romantic Period, and transmedia adaptation. She has published articles and book chapters on Gothic parodies, adaptations of Romantic and Victorian novels, and nineteenth-century horror novels, among other topics. She has also edited two Romantic-period comic Gothic novels—The Hero and Love and Horror—for Valancourt Books. Her most recent projects include a collection on Gothic Mash-Ups (Lexington Books) and an edition of Mary Charlton's Rosella, or Modern Occurrences (1799) (Routledge).
Degrees
Ph.D., York UniversityM.A., Carleton University
B.A., Carleton University
Research Interests
All Publications
“Gothic Parody and Anti-feminist Satire.” Edinburgh Companion to Comic Gothic, edited by Avril Horner and Sue Zlosnik, 2024, pp. 49-63.
“Teaching the Iñupiaq Video Game Never Alone and/as Literature.” Teaching Games and Games Studies in the Literature Classroom, edited by Lynn Ramey and Tison Pugh, Bloomsbury, 2022.
“Tales of Other Times: The Gothic Novel as Historical Fiction.” Critical Insights: Historical Fiction, edited by Virginia Brackett, Salem Press, 2018, pp. 77-91.
“‘we stare and tremble’: Eighteenth- and Nineteenth-Century Horror Novels.” The Palgrave Handbook to Horror Literature, edited by Kevin Corstorphine and Laura R. Kremmel, Palgrave, 2018, pp. 165-79.
“‘It’s Alive’: Commodification of Frankenstein’s Monster.” Critical Insights: Mary Shelley, edited by Virginia Brackett, Salem Press, 2016, pp. 208-28.
Rosella, or Modern Occurrences, by Mary Charlton. 1799. Edited by Natalie Neill. Routledge, 2023. Introduction, xi–xxvii.
Gothic Mash-Ups: Hybridity, Appropriation, and Intertextuality in Gothic Storytelling. Edited by Natalie Neill. Lexington Books, 2022. Introduction, ix-xviii.
“The Stepford Frankensteins: Feminism, Frankenstein, and The Stepford Wives.” The Journal of American Culture, vol. 41, issue 3, 2018, pp. 257-66.
“‘The trash with which the press now groans’: Northanger Abbey and the Gothic Best Sellers of the 1790s.” The Eighteenth-Century Novel: A Scholarly Annual, vol. 4, 2005, pp. 163-92.
