Natalie Neill
Assistant Professor
Teaching Stream
Office: Atkinson Building, 724
Phone: 416-736-2100 Ext: 20541
Email: nneill@yorku.ca
Media Requests Welcome
Accepting New Graduate Students
An Assistant Professor in the Teaching Stream, Natalie Neill (Ph.D., English, York; M.A., Film Studies, Carleton) specializes in undergraduate teaching and learning (especially the first-year experience) and nineteenth-century literature. Her period-specific research interests include the gothic, satire, women and literature, and transmedia adaptation. She has published articles and book chapters on gothic parodies, adaptations of Romantic and Victorian novels, and nineteenth-century horror novels, among other topics. She has also edited two Romantic-period gothic novels—The Hero and Love and Horror—for Valancourt Books. She is currently working on an edited collection on Gothic Mash-Ups (Lexington Books) and an edition of Mary Charlton's Rosella, or Modern Occurrences (1799) (Routledge).
Degrees
Ph.D., York UniversityM.A., Carleton University
B.A., Carleton University
Research Interests
The Hero; or, The Adventures of a Night, by Bellin de la Liborlière. Edited by Natalie Neill. Translated by Sophia Shedden. 1817. Valancourt Books, 2011. Introduction, vii-xxviii.
Love and Horror, by Ircastrensis. Edited by Natalie Neill. 1812. Valancourt Books, 2008. Introduction, vii-xxi.
“Tales of Other Times: The Gothic Novel as Historical Fiction.” Critical Insights: Historical Fiction, edited by Virginia Brackett, Salem Press, 2018, pp. 77-91.
“‘we stare and tremble’: Eighteenth- and Nineteenth-Century Horror Novels.” The Palgrave Handbook to Horror Literature, edited by Kevin Corstorphine and Laura R. Kremmel, Palgrave, 2018, pp. 165-79.
“‘It’s Alive’: Commodification of Frankenstein’s Monster.” Critical Insights: Mary Shelley, edited by Virginia Brackett, Salem Press, 2016, pp. 208-28.
“Gothic Parody.” Romantic Gothic: An Edinburgh Companion, edited by Angela Wright and Dale Townshend, Edinburgh UP, 2015, pp. 185-204.
“Adapting Dickens’s A Christmas Carol in Prose.” Victorian Literature and Film Adaptation, edited by Abigail Burnham Bloom and Mary Sanders Pollock, Cambria Press, 2012, pp. 71-88.
“The Stepford Frankensteins: Feminism, Frankenstein, and The Stepford Wives.” The Journal of American Culture, vol. 41, issue 3, 2018, pp. 257-66.
“‘The trash with which the press now groans’: Northanger Abbey and the Gothic Best Sellers of the 1790s.” The Eighteenth-Century Novel: A Scholarly Annual, vol. 4, 2005, pp. 163-92.
Current Courses
| Term | Course Number | Section | Title | Type |
|---|---|---|---|---|
| Fall/Winter 2020 | AP/EN4561 6.0 | A | Romantic Revolt | SEMR |
| Winter 2021 | AP/EN1002 3.0 | M | Intertextualities | LECT |
| Winter 2021 | AP/EN1002 3.0 | M | Intertextualities | TUTR |
An Assistant Professor in the Teaching Stream, Natalie Neill (Ph.D., English, York; M.A., Film Studies, Carleton) specializes in undergraduate teaching and learning (especially the first-year experience) and nineteenth-century literature. Her period-specific research interests include the gothic, satire, women and literature, and transmedia adaptation. She has published articles and book chapters on gothic parodies, adaptations of Romantic and Victorian novels, and nineteenth-century horror novels, among other topics. She has also edited two Romantic-period gothic novels—The Hero and Love and Horror—for Valancourt Books. She is currently working on an edited collection on Gothic Mash-Ups (Lexington Books) and an edition of Mary Charlton's Rosella, or Modern Occurrences (1799) (Routledge).
Degrees
Ph.D., York UniversityM.A., Carleton University
B.A., Carleton University
Research Interests
All Publications
“Tales of Other Times: The Gothic Novel as Historical Fiction.” Critical Insights: Historical Fiction, edited by Virginia Brackett, Salem Press, 2018, pp. 77-91.
“‘we stare and tremble’: Eighteenth- and Nineteenth-Century Horror Novels.” The Palgrave Handbook to Horror Literature, edited by Kevin Corstorphine and Laura R. Kremmel, Palgrave, 2018, pp. 165-79.
“‘It’s Alive’: Commodification of Frankenstein’s Monster.” Critical Insights: Mary Shelley, edited by Virginia Brackett, Salem Press, 2016, pp. 208-28.
“Gothic Parody.” Romantic Gothic: An Edinburgh Companion, edited by Angela Wright and Dale Townshend, Edinburgh UP, 2015, pp. 185-204.
“Adapting Dickens’s A Christmas Carol in Prose.” Victorian Literature and Film Adaptation, edited by Abigail Burnham Bloom and Mary Sanders Pollock, Cambria Press, 2012, pp. 71-88.
The Hero; or, The Adventures of a Night, by Bellin de la Liborlière. Edited by Natalie Neill. Translated by Sophia Shedden. 1817. Valancourt Books, 2011. Introduction, vii-xxviii.
Love and Horror, by Ircastrensis. Edited by Natalie Neill. 1812. Valancourt Books, 2008. Introduction, vii-xxi.
“The Stepford Frankensteins: Feminism, Frankenstein, and The Stepford Wives.” The Journal of American Culture, vol. 41, issue 3, 2018, pp. 257-66.
“‘The trash with which the press now groans’: Northanger Abbey and the Gothic Best Sellers of the 1790s.” The Eighteenth-Century Novel: A Scholarly Annual, vol. 4, 2005, pp. 163-92.
Current Courses
| Term | Course Number | Section | Title | Type |
|---|---|---|---|---|
| Fall/Winter 2020 | AP/EN4561 6.0 | A | Romantic Revolt | SEMR |
| Winter 2021 | AP/EN1002 3.0 | M | Intertextualities | LECT |
| Winter 2021 | AP/EN1002 3.0 | M | Intertextualities | TUTR |
